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Influence of Krzysztof Komeda’s slanted nursery-rhyme score to ’60s SatanicĬrate-digging for deep cuts elsewhere, with Villanelle’s character and herĬine-styled global movements in mind. The widescreen reach and lusty intimacy in her vocals give Bond’s themes a runįor their money elsewhere, the crepuscular ‘Bill’ and sassy ‘Danger’Įcho Amy Winehouse’s raw authenticity. Vincent’s phenomenally adaptable voice practically becomes Villanelle’s Lust ‘After Dinner’ and ‘Cry Baby Cry’ brim with swoonyįurnishes Killing Eve with a signature tune – music to spill kids’ ice Level of the show, establishing a deep continuity: “There was a thread that linked everything because the music itself hadĪ style, and an atmosphere, and a feeling.”įeeling… These qualities ooze out of Unloved’s dynamic S1 songs. Like afterthoughts, he was able to integrate the sound of Unloved at every Instead of their songs popping up on-screen It just seemed to fit like a glove.”Īnd dark romanticism became a goldmine, Holmes’ access to his band’s “It became very obviousĮveryone had fallen in love with Unloved. When he received episode 1 back, Grieves had woven in “female-led” vision for the show with its creators, Holmes sent them a largeįolder of music to try. Recorded 30-ish tracks in a year before releasing the albums Guilty of Love (2016) and Heartbreak (2019). Pop, but mixed with a ’60s girl-group sensibility” bonded the trio, who Shared leanings towards “music inspired by Italian film music, French film music and French Salon run by fellow soundtrack artist KeefusĬiancia ( True Detective) and one-off singer Jade Vincent.
That seems like it was meant to be, Holmes had already, unwittingly found thatīegins in the mid-2010s, when Holmes DJ’d at The Rotary Club, a Hollywood music Let’s create that sound, rather than trying to kind of come up with the Of the first things I said was, ‘I don’t know the sound of Killing Eve yet but I know it has to Quickly reported back to the producers: “One Waller-Bridge’s Fleabag, Holmes received scripts for Eve and
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Trilogy and more) to various stylish TV dramas, among them London Spy. Soderbergh pics ( Out of Sight, the Ocean’s Eleven/ Twelve/ Thirteen Ranged from music movies ( Good Vibrations) and sundry retro-cool Steven In between his work asĪ DJ, rock’n’soul remix artist and band-leader, Holmes’ screen output has Hall, Collateral, The Casual Vacancy and beyond), GrievesĪlready knew of the Belfast-born Holmes’ formidable CV. Lynne Ramsay’s You Were Never Really Here via various TV hits ( Wolf
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Tale, it became clear during early talks that strong female voices, multipleĪrtists and a great composer would be crucial ingredients of the show’s music.Ī music supervisor whose work has ranged from The Inbetweeners Movie to Moody, mischievous vivacity of their own. Pick’n’mix curation cut from the cloth of cinematic style but tailored with a And it comes with killer soundtracks to match, modern classics of Swaggering, slippery, playful and punchy thriller of cat/mouse obsession like
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Villanelle novellas by lead-writers Phoebeįennell (S2), the Emmy-winning spy series has established itself as a Grieves left no box unmarked with their BAFTA-winning music for Seasons 1 and 2 Towards song-seeking app Shazam testify, Holmes and music supervisor Catherine Says DJ turned film composer David Holmes. “You have to tick every box for a piece of music to work in PRE-ORDER KILLING EVE OST SEASON 1&2 HERE
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Includes download and booklet, limited ‘blood’ splatter coloured vinyl edition.
Heavenly Recordings and Sid Gentle Films will release the original soundtracks for “Killing Eve” Seasons 1 and 2 on 13 December 2019.